“O‘ZBEKISTON — 2030” STRATEGIYASI SHAROITIDA ZAMONAVIY ADABIY TADQIQOTLAR: MAGGIE O’FARRELL ASARLARIDA ONA OBRAZI POETIKASI

Sarvinoz Xidirova

Авторы

Sarvinoz Xidirova Автор

Ключевые слова:

“O‘zbekiston — 2030”, oliy ta’lim, fundamental tadqiqot, zamonaviy ingliz adabiyoti, Maggie O’Farrell, ona obrazi, poetika, ayol identiteti, xotira, narratologiya, palimpsest, travma, Hamnet, The Hand That First Held Mine.

Аннотация

Mazkur maqolada “O‘zbekiston — 2030” strategiyasida belgilangan oliy ta’lim va ilmiy tadqiqotlar sifatini oshirish, fundamental tadqiqotlarni rivojlantirish hamda zamonaviy ilmiy metodologiyalarni joriy etish vazifalari nuqtayi nazaridan zamonaviy ingliz adabiyotini o‘rganishning ayrim nazariy-metodologik jihatlari tadqiq etiladi. Tadqiqot obyekti sifatida zamonaviy britan yozuvchisi Maggie O’Farrellning The Hand That First Held Mine va Hamnet romanlari tanlangan. Mazkur asarlarda ona obrazi ayol identiteti, xotira, vaqt, makon, ruhiy yo‘qotish va shaxsiy transformatsiya kategoriyalari bilan uzviy aloqada shakllanishi tahlil qilinadi. Tadqiqotda psixologik tasvir, retrospeksiya, parallel syujet, palimpsestik narrativ, ramziy detal, ko‘p nuqtayi nazarlilik hamda tarixiy va individual vaqt sintezi ona obrazini yaratishning muhim poetik vositalari sifatida asoslanadi. Shuningdek, O’Farrell romanlarini Adrienne Richning onalik haqidagi qarashlari, Sara Ruddickning “maternal thinking” konsepsiyasi, Sarah Dillonning palimpsest nazariyasi, Cathy Caruthning travma nazariyasi va Linda Hutcheonning tarixiy badiiylik haqidagi qarashlari bilan bog‘lab o‘rganish imkoniyatlari ko‘rsatiladi. Tadqiqot natijalari zamonaviy xorijiy adabiyot namunalarini O‘zbekiston oliy ta’limi va milliy gumanitar tadqiqotlar maydoniga integratsiya qilish, qiyosiy adabiyotshunoslikning metodologik bazasini kengaytirish hamda yosh tadqiqotchilarning xalqaro ilmiy manbalar bilan ishlash ko‘nikmalarini rivojlantirishga xizmat qiladi.

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