ZAMONAVIY INGLIZ ADABIYOTIDA ONA OBRAZI ADABIY DAVOMIYLIK VA NAZARIY YONDASHUVLAR
DOI:
https://doi.org/10.47390/ydif-y2026v2i19/n27Kalit so‘zlar:
ona obrazi; onalik poetikasi; zamonaviy ingliz adabiyoti; maternal subyektivlik; narrativ vakolat; madaniy xotira; Maggie O’Farrell.Annotasiya
Ushbu maqolada zamonaviy ingliz adabiyotida ona obrazini o‘rganishning nazariy asoslari Maggie O’Farrellning Hamnet va The Hand That First Held Mine romanlariga murojaat orqali yoritiladi. Tadqiqot ona haqidagi adabiy tasavvurlarning tarixiy davomiyligini maternal subyektivlik hamda ovoz, tanaviy tajriba va xotiraning narrativ tashkil etilishi bilan bog‘laydi. Maqolada feministik adabiyotshunoslik, onalik tadqiqotlari, narratologiya va xotira nazariyasining tanlangan yondashuvlari umumlashtiriladi. Ona obrazining badiiy ahamiyatini faqat mavzudagi ishtiroki yoki fidoyilik ideali bilan baholash yetarli emasligi asoslanadi. Uning poetik maqomi idrok, bilim va hikoya qilish vakolatining matnda qanday taqsimlanishiga bog‘liq. Taklif etilayotgan qiyosiy tahlil avval muayyan matniy vaziyatni belgilaydi, keyin maternal tajribani shakllantiruvchi badiiy vositalarni aniqlaydi va ularni tegishli nazariy tushunchalar bilan izohlaydi. Tarixiy ona ideallaridan zamonaviy mustaqil subyektga o‘tish asarlarga xos yagona rivojlanish yo‘li sifatida qabul qilinmaydi. Tadqiqotning natijasi ona obrazining tarixiy, ijtimoiy va narrativ sathlarini o‘zaro bog‘laydigan metodologik asosni ishlab chiqishdan iborat. Ushbu asos keyingi boblarda romanlarni bir xil mezonlar orqali qiyoslashga xizmat qiladi.
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